New publication: Where Are We Going
The new publication Where Are We Going captures the essence of the artwork Efrat created for FENIX, museum of Migration, featuring 116 sculpted portraits made with clay of people living in Rotterdam. Next to the portraits you can read the City Snippets
New publication: Where Are We Going
The new publication Where Are We Going captures the essence of the artwork Efrat created for FENIX, museum of Migration, featuring 116 sculpted portraits made with clay of people living in Rotterdam. Next to the portraits you can read the City Snippets
Portrait of Freedom / Gorcums Museum
Op verzoek van het Gorcums Museum verdiept Efrat Zehavi zich tijdens de viering van 80 jaar vrijheid in de inwoners van Gorinchem. Dit doet zij door te werken aan een Portret van Vrijheid. Zehavi stelde aan uiteenlopende mensen de vraag
Portrait of Freedom / Gorcums Museum
Op verzoek van het Gorcums Museum verdiept Efrat Zehavi zich tijdens de viering van 80 jaar vrijheid in de inwoners van Gorinchem. Dit doet zij door te werken aan een Portret van Vrijheid. Zehavi stelde aan uiteenlopende mensen de vraag
Demons, Fairies & Personas
Demons, Fairies & Personas Solo exhibition @ Pedrami Gallery, Antwerp, 23 march 2024 – 5 mei 2024 The Hebrew word ‘פָּנִים’(paním), meaning ‘face’, and the word ׳פְּנִים׳ (pe’nim), meaning ‘inside’ sound almost the same. The linguistic similarity raises the question
Demons, Fairies & Personas
Demons, Fairies & Personas Solo exhibition @ Pedrami Gallery, Antwerp, 23 march 2024 – 5 mei 2024 The Hebrew word ‘פָּנִים’(paním), meaning ‘face’, and the word ׳פְּנִים׳ (pe’nim), meaning ‘inside’ sound almost the same. The linguistic similarity raises the question
portretopdracht OCW
De Nederlandse Nobelprijswinnaar Guido Imbens heeft samen met minister Robbert Dijkgraaf zijn bronzen buste onthuld in de eregalerij van het ministerie van OCW. Daarnaast is Imbens benoemd tot Commandeur in de Orde van de Nederlandse Leeuw en heeft hij van
portretopdracht OCW
De Nederlandse Nobelprijswinnaar Guido Imbens heeft samen met minister Robbert Dijkgraaf zijn bronzen buste onthuld in de eregalerij van het ministerie van OCW. Daarnaast is Imbens benoemd tot Commandeur in de Orde van de Nederlandse Leeuw en heeft hij van
Hidden / Verborgen
“…Herinneringen, de angsten en de onverwerkte emoties zullen altijd bij ons zijn. Aan de buitenkant zijn we mensen als ieder ander. Binnen in ons is de oorlog bepalend geworden voor de rest van ons leven.” Wally Elenbaas en Esther Hartog
Hidden / Verborgen
“…Herinneringen, de angsten en de onverwerkte emoties zullen altijd bij ons zijn. Aan de buitenkant zijn we mensen als ieder ander. Binnen in ons is de oorlog bepalend geworden voor de rest van ons leven.” Wally Elenbaas en Esther Hartog
Doubt Table / Twijfel Tafel
Performance & installation @ Framer Framed, Amsterdam / TENT, Rotterdam 2022 Twijfel Tafel, interactieve performance en installatie Efrat Zehavi nodigde bezoekers uit om rond haar Doubt Table te zitten en een gesprek te voeren over het onderwerp twijfel. Op de
Doubt Table / Twijfel Tafel
Performance & installation @ Framer Framed, Amsterdam / TENT, Rotterdam 2022 Twijfel Tafel, interactieve performance en installatie Efrat Zehavi nodigde bezoekers uit om rond haar Doubt Table te zitten en een gesprek te voeren over het onderwerp twijfel. Op de
Portraits of Rotterdammers commissioned by FENIX
Visual artist Efrat Zehavi has been commissioned by FENIX Museum of Migration to make a series of modelled portraits of people from every corner of Rotterdam and all kinds of backgrounds. The series will become part of the museum’s permanent
Portraits of Rotterdammers commissioned by FENIX
Visual artist Efrat Zehavi has been commissioned by FENIX Museum of Migration to make a series of modelled portraits of people from every corner of Rotterdam and all kinds of backgrounds. The series will become part of the museum’s permanent
Stadsgezicht – a cityscape of plasticine faces
Stadsgezicht is a new installation Efrat Zehavi made specially for the Realism Now exhibition. This installation has been compiled from a selection of the collection of Plasticine portraits she has built since 2007. Realism Nu, Stedelijk Museum Schiedam, curator: Trudi
Stadsgezicht – a cityscape of plasticine faces
Stadsgezicht is a new installation Efrat Zehavi made specially for the Realism Now exhibition. This installation has been compiled from a selection of the collection of Plasticine portraits she has built since 2007. Realism Nu, Stedelijk Museum Schiedam, curator: Trudi
Anonymous Glossy @ Theater Rotterdam
Stadsgezicht is a ‘cityscape’ made of photographed plasticine faces and text fragments from the artist’s book Anonymous Glossy. Projected in the foyer of Theater Rotterdam. Curated by: Ferri Ronteltap. Foto: Andreas Terlaak Click to view the video:
Anonymous Glossy @ Theater Rotterdam
Stadsgezicht is a ‘cityscape’ made of photographed plasticine faces and text fragments from the artist’s book Anonymous Glossy. Projected in the foyer of Theater Rotterdam. Curated by: Ferri Ronteltap. Foto: Andreas Terlaak Click to view the video:
mOTHER finnisage
In one-on-one sessions, visitors told Efrat Zehavi stories about their mothers, which she transformed into mythological mother figures. The museum acquired 7 sculptures and pieces from the mOTHER series for its permanent collection. The artist reflects on her mOTHERS project
mOTHER finnisage
In one-on-one sessions, visitors told Efrat Zehavi stories about their mothers, which she transformed into mythological mother figures. The museum acquired 7 sculptures and pieces from the mOTHER series for its permanent collection. The artist reflects on her mOTHERS project
mOTHER @ Stedelijk Museum Schiedam
An interactive performance with audience participation. Mixed-media installation of sculptures, collages, drawings and stories. 13 October 2018 – 3 March 2019, Stedelijk Museum Schiedam. The mother is a central figure in the life of nearly everyone. To explore to what
mOTHER @ Stedelijk Museum Schiedam
An interactive performance with audience participation. Mixed-media installation of sculptures, collages, drawings and stories. 13 October 2018 – 3 March 2019, Stedelijk Museum Schiedam. The mother is a central figure in the life of nearly everyone. To explore to what
Anonymous Glossy book launch @ TENT, Rotterdam
Anonymous Glossy book launch TENT 2017 The Anonymous Glossy project is an artwork in the guise of a luxury glossy magazine. It is based on conversations Efrat Zehavi held with strangers in various public spaces in Rotterdam. She modelled their
Anonymous Glossy book launch @ TENT, Rotterdam
Anonymous Glossy book launch TENT 2017 The Anonymous Glossy project is an artwork in the guise of a luxury glossy magazine. It is based on conversations Efrat Zehavi held with strangers in various public spaces in Rotterdam. She modelled their
The Power of Love
The mural The Power of Love was commissioned by BKOR / CBK Rotterdam (Art Centre Rotterdam). The artist was asked to respond to the subject of diversity. Zehavi has depicted a fool who plays with the power of love, as
The Power of Love
The mural The Power of Love was commissioned by BKOR / CBK Rotterdam (Art Centre Rotterdam). The artist was asked to respond to the subject of diversity. Zehavi has depicted a fool who plays with the power of love, as
Anonymous Glossy animation
Anonymous Glossy is een kunstwerk vermomd als luxetijdschrift. De animatie is een bewerkt fotocompilatie uit Anonymous Glossy. 2018 editor: Marieke van de Lippe
Anonymous Glossy animation
Anonymous Glossy is een kunstwerk vermomd als luxetijdschrift. De animatie is een bewerkt fotocompilatie uit Anonymous Glossy. 2018 editor: Marieke van de Lippe
Dichtkunstkrant
De Dichtkunstkrant, a journal for art, poetry and current affairs 2012 – 2016 The Poetry-Art Journal is a free newspaper for art, poetry and current affairs. It was published once a year, over the course of five years, in a
Dichtkunstkrant
De Dichtkunstkrant, a journal for art, poetry and current affairs 2012 – 2016 The Poetry-Art Journal is a free newspaper for art, poetry and current affairs. It was published once a year, over the course of five years, in a