Posts Tagged 'solo'
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Pleader’s Prayer. Solo exhibition @ Art – Amsterdam 2009
Mixed-media installation: painted wood furniture’s, papier-mâché, wax, pigment, metal-wire, animations (color,loop, no sound) and sound: a composed poem of Hannah Senesh: Eli, Eli, (my God, My God) singed by a Dutch man. Dimensions sturcture: 300 X 160 X 120 cm
![](https://www.efratzehavi.nl/wp-content/uploads/2021/03/Highlights-2-210x317.jpg)
Pleader’s Prayer. Solo exhibition @ Art – Amsterdam 2009
Mixed-media installation: painted wood furniture’s, papier-mâché, wax, pigment, metal-wire, animations (color,loop, no sound) and sound: a composed poem of Hannah Senesh: Eli, Eli, (my God, My God) singed by a Dutch man. Dimensions sturcture: 300 X 160 X 120 cm
![](https://www.efratzehavi.nl/wp-content/uploads/2021/03/Highlights-5-210x150.jpg)
The Silence of the Siren. Solo exhibition Crime Scenes 2007
In 2005, I moved in to live with my boyfriend in a studio apartment in Rotterdam West. It had a beautiful old bay window with a view of the park and the city centre. In spring, when the trees turned
![](https://www.efratzehavi.nl/wp-content/uploads/2021/03/Highlights-5-210x150.jpg)
The Silence of the Siren. Solo exhibition Crime Scenes 2007
In 2005, I moved in to live with my boyfriend in a studio apartment in Rotterdam West. It had a beautiful old bay window with a view of the park and the city centre. In spring, when the trees turned
![](https://www.efratzehavi.nl/wp-content/uploads/2021/03/Highlights-4-210x291.jpg)
Looking Forward. Solo exhibition Crime Scenes 2007
In 2005, I moved in to live with my boyfriend in a studio apartment in Rotterdam West. It had a beautiful old bay window with a view of the park and the city centre. In spring, when the trees turned
![](https://www.efratzehavi.nl/wp-content/uploads/2021/03/Highlights-4-210x291.jpg)
Looking Forward. Solo exhibition Crime Scenes 2007
In 2005, I moved in to live with my boyfriend in a studio apartment in Rotterdam West. It had a beautiful old bay window with a view of the park and the city centre. In spring, when the trees turned
![](https://www.efratzehavi.nl/wp-content/uploads/2021/03/4NothingNew-6-210x140.jpg)
What’ Up Art Amsterdam 2009
![](https://www.efratzehavi.nl/wp-content/uploads/2021/03/2008_mei_whatsWEB-210x153.jpg)
What’s Up Magazine. 2008
![](https://www.efratzehavi.nl/wp-content/uploads/2021/03/Highlights-7-210x158.jpg)
Fireland, Reykjavík 2005
Installation of photos and plasticine sculptures @ gallery Dvergurd, Reykjavík. Curator Birta Gudjonsdottir
![](https://www.efratzehavi.nl/wp-content/uploads/2021/03/Highlights-7-210x158.jpg)
Fireland, Reykjavík 2005
Installation of photos and plasticine sculptures @ gallery Dvergurd, Reykjavík. Curator Birta Gudjonsdottir
![](https://www.efratzehavi.nl/wp-content/uploads/2021/03/CityOfDispleasure-7-210x210.jpg)
Displeasure City 2001 – 2005
Greek Tragedy as visual art. Installation of black and white photocopies collages, glass, perspex, metal hooks and metal chains. Watch documentation video with sound.
![](https://www.efratzehavi.nl/wp-content/uploads/2021/03/CityOfDispleasure-7-210x210.jpg)
Displeasure City 2001 – 2005
Greek Tragedy as visual art. Installation of black and white photocopies collages, glass, perspex, metal hooks and metal chains. Watch documentation video with sound.
![](https://www.efratzehavi.nl/wp-content/uploads/2021/03/Highlights-6-210x140.jpg)
Leben? Oder Theater?
The news about the concrete barrier wall that Israel was building around the West Bank provoked contradictory feelings in me. On the one hand, I could understand the fear; I had lived in Jerusalem during a six-year period in which
![](https://www.efratzehavi.nl/wp-content/uploads/2021/03/Highlights-6-210x140.jpg)
Leben? Oder Theater?
The news about the concrete barrier wall that Israel was building around the West Bank provoked contradictory feelings in me. On the one hand, I could understand the fear; I had lived in Jerusalem during a six-year period in which